The Wilson Benesch Stage One head amplifier has been designed with one aim in mind; namely the most perfect coupling of the delicate low level signal from a precision moving coil pickup cartridge to a modern, line level control preamplifier.
The Stage One has been configured to function at its maximum performance level with the ACT Two tonearm and cartridges.
Placing the low level input close to the tonearm base, ensures that there will be minimal information loss and reduced interference from external effects. Moreover the close attention paid to total screening of the system guarantees that external relatively small signals will not become part of the musical signal. Eliminating numerous junctions and terminals commonly accepted with the standard tonearm output cable with plugs and sockets further ensures that there will be minimal loss of signal through the hard wired semi-balanced high quality pure silver / Teflon configuration.
The unit may be factory installed on Wilson Benesch turntables or easily retrofitted. Once in place, the complete player delivers a low noise output at line level, nominally 1 volt and fully RIAA equalized, making it compatible with other line sources including CD.
The fully enclosed system does not imply that the system is not user friendly. Adjustment is simply achieved via two small D.I.L. type switch blocks that are accessible in the base board. A swivel cover encloses the aperture to provide maximum R.F. protection. The switches take account of both cartridge output and for resistance and capacitance loading.
As one would expect from Wilson Benesch the system is unique not only in terms of its details but also in terms of fundamentally new engineering. Coupled with the proximate location to the tonearm, this development achieves a remarkable improvement in all aspects of signal communication and as a corollary sound quality, easily surpassing the best external preamplifier and equalizer combinations.
The dynamic capabilities of the complete system provides an authority and precision only associated with the best direct cut recordings. The low noise input stage is a pure Class A SE [single ended] amplifier with no loop feedback and a classic, low order distortion spectrum, typically pure second harmonic at 0.01%, -80dB. The Stage One is immune to overload and its resistance to EMC is also very high. The power FET used is actually capable of 100w rms and has superb small signal dynamics. Provision is also made for auto muting in the event of power loss via a simple circuit that has no effect on the signal during normal use.
A transparent, vanishing low distortion RIAA equalizer compliments the elegant amplifier, It exploits the benefits of the very latest technology in high precision monolithic op amps. They perform their task without sonic flaw at the designed signal levels and possess a powerful output drive capability, even comfortable with taxing 10k ohm input load line preamps. Rated at 1 volt, it will deliver over 9 volts output with wholly negligible distortion. In the central equalized range the RIAA accuracy is typically +/-0.2dB.
Low noise regulated power supplies feed the equalizer which also has an inherently powerful rejection of power supply noise.
Cascaded from the regulators are ultra-low noise, high current Gyrator filters to serve the Class A input amplifier. Power line noise is typically better than -136dBV, [0.000,000,02V] Providing a gain of 20 dB [x10] the SE input stages are switched through 1k, 100 ohms and 10 ohm input resistances and 0.01, 0.047, 0.1uF of capacitance. A 10dB gain reduction at constant sound quality is achieved using the feedback loop of the equalizer, this adjustment compatible for higher output cartridges.