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MSB's Platinum DAC is the expression of an entirely fresh approach to Digital-to-Analogue conversion. The perspective the industry has adopted concerning DACs has been revisited... and blown away. MSB designers have been testing their DACs for about 14 years, ever since CDs came out. As the bits have increased so has the digital fatigue factor. The analogue sweetness of vinyl has been lost in the sterile accuracy of precision. Their reference up until now in this regard has been the old MSB GOLD CD Player. It also used a ladder DAC and the MSB power supplies. It is only 16 bits. The Platinum comes closer to recreating the sweetness of analogue with perfect accuracy than anything else. Although still transport dependant, the Platinum presents a truly live performance. We have been disappointed with DVD players as CD transports. The tremendous jitter reduction of the Platinum really helps bring their performance much closer to a good CD transport. In summary, the sound is open and transparent, accurate but musical, dynamic with great attack, but not fatiguing. It is the best overall sound our team has heard to date. We challenge you to try it for yourself. Be sure to give it at least 3 weeks to burn in. The Platinum draws from the older, superior ladder technology, but with incredible improvements. The Platinum contains four 46 bit MSB DAC modules (seen below). The Platinum is fully balanced so there is a matched pair of 46 bit DAC modules for the inverted and non-inverted signals on each of the right and left channels. Finally, each DAC module contains one R2R ladder DAC with a 23 bit negative sign and one R2R ladder DAC with a 23 bit positive sign. This design allows the quieter moments in your music to be true to the music, without the linearity errors near zero that plague normal ladder and delta-sigma DAC designs. With 46 bits of combined resolution, a 24 bit source gives a true 24 bit resolution without the losses and errors that make your normal 16 or 24 bit DAC perform far less than their actual resolution (normal 16 bit DACs only muster a meager 12 bits of resolution). The Platinum is carefully designed so as to require no DC correction in the output stage. This allows direct DC coupling on the output stage for pure, uncolored sound -- with no output filtering to muck up your high end or smear your bass attack. And for those who require a balanced analogue output, the separate positive and negative DACs directly drive the balanced outputs, with no analogue output stage at all! The MSB Platinum grants the user the ability to upsample from ANY lower audio standard to 24bit/132.3kHz (3 times the CD rate). This is a selectable feature and may be turned off. To play a 24/192 disc the Platinum only needs an input option installed to be fully compatible. This upsampling feature also dynamically buffers and re-clocks all the data and clock signals to provide a virtually jitter-free source directly to the DACs. Interpolation is also selectable, with 16X or 8X being possible. The selectable digital filter response permits the user to choose the filter design they prefer. It allows for the selection of a standard brick-wall filter or a slow roll-off filter, both at half the sampling frequency. Each provides the listener with a distinct, glorious listening experience. You may favor one or the other, or enjoy changing the filter response to suit the music you listen to.
Front Panel Features Upsample On - The incoming data is resampled at 132.3 kHz. This is three times the CD rate. This is a true upsampling, not a parallel scheme as some DACs do. The feature can be turned on or off, but the jitter reduction inherent in this process remains on in either case. Option - This button toggles between the 4 sets of input channels of the MSB Network. Input Select - Each of the five inputs can be selected manually, or the auto mode can be selected. The auto mode is an automatic priority switching with auto signal detection. 6X Interpolation - Interpolation is like oversampling. You may select either 8X or 16X. This option works with upsampling on or off. Interpolation is a function of the digital filter. It is the number of data points created between each actual data sample. There are no simple explanations, but in general terms, the higher the sampling frequency, the more artifacts, such as the image frequency, are pushed up beyond the audio range. With this effect comes some detrimental artifacts as well. The trade-off in performance depends on your system, hearing and taste in music. As a rule-of-thumb, 16X is more appropriate for low sampling rate sources and 8X would be better for 96K or 192K sources. Filter On - This feature adjusts the slope of the digital filter. This feature is very much related to the interpolation feature above. The platinum defaults to the gentle filter slope. In this case some of the image frequencies can be reflected into the audible range, but the negative energy spread effect of filters is minimized. This setting is best for higher sampling rate sources such as 96K or 192K. For low sampling rate sources the brick-wall filter may be desirable as image frequencies are more likely to effect the sound. Again, these rules-of-thumb can be dramatically affected by your personal taste. Phase Invert - This feature allows improperly recorded material to be corrected. The phase of the outputs is inverted digitally.
Digital Inputs Coaxial - A good input for short runs and lower frequencies. ATT Glass - This ST type optical input is robust and high speed, but less commonly used. This input is offered as a customer installable option. Balanced - The AES/EBU Professional input is the preferred input. It is used for both digital audio and the MSB Network. The Input autosenses the MSB Network so no user control is required. The balanced nature of this input allows great cable lengths as well as total noise immunity. 1394 Firewire - Provision has been made for this possible future input. When and if demand increases for this input format, a user installable option will be available.
Analogue Outputs Coaxial - We combine the inverted and non-inverted DAC outputs in a high-speed summing amplifier. The output impedance is 75 ohms and output level is 12 Volts. This rather hot output can be attenuated using a special cable included that reduces the output to standard line level. Use this cable when a high gain preamp is part of the system. Use standard cables when a low gain or passive volume control is used.
![]() The Gold Link DAC has the performance characteristics that satisfy the most discriminating listener. MSB uses four internal stereo D-to-A converters. Two individual pairs of DACs are used for each of the right and left channels. The improved signal isolation from using separate DACs delivers superior channel separation. Our unique four DAC system results in amazingly accurate, live sound without the brightness found in so many of the current D-to-A strategies. The Gold has a minimum of output filtering for the best possible sound. It features electromagnetic shielding of all key components and high performance, high slew rate operational amplifiers. Seven separate power supplies with gigantic filter capacitors provide isolation between the digital and analogue sides of the DAC. MSB supplies the Gold Link DAC III with a fully functional desktop power supply. The sound quality can be further optimized when used with the MSB P1000 Power Base. HDCD is not available in the Gold. Five disc CD/Photo CD - RCA coaxial, AT&T Glass and balanced Professional XLR digital outputs - RGB component, Composite, and S-video outputs - EMA isolation plate base - Includes remote. 18.5" w x 16.5" d x 5.5" h 51 lbs
The Audio Director and Digitizer Auto-switch six digital signals through a single input - Convert between optical and coaxial formats - Split each signal up to three ways using the one Toslink and two coaxial outputs - Full jitter reduction circuitry - Rack mountable - Black or Silver...
Digital Director with 24bit/96kHz upgrade...
Digital Director "Classic" |